Little Igloo begins with records, radio, and sessions.

The first catalog release is Steady Rolling Man by Eli Redline Booker, a blues-rock album built around direct songs, guitar-forward arrangements, and roadhouse energy.

The first session release is The Almanac Sessions by The Last Broadcast, a quieter set of archive-lit Americana recordings currently in production.

The label starts small on purpose. A few artists, a few records, a radio rotation, and room to let the catalog become the identity.